lizvogel: What is this work of which you speak? (Cat on briefcase.) (Work)
Finished. The. Novel.

Mind you, this is the definition of "finished" that includes about a billion find-a-better-word brackets, and I'm not sure about the flow on the last page, and we'll see what my alpha-reader says. But unless I've missed something, I have a continuous stream of text from the beginning to the end. It clocks in at just under 102,000 words, which I believe makes it the longest thing I've ever written.

And now I get to prep for attending two cons simultaneously, one in person and one virtual, and finish inventory-ing for Narrativity so I can get all this stuff out of the entry hall, and find a new home for the extra cat, and so on. Like the saying goes, before enlightenment, chop wood, carry water; after enlightenment, chop wood, carry water.

But still. Finished. The. Novel.

April Word Count

Friday, May 14th, 2021 01:38 pm
lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
New words in April = 7783, all on Lightning Strikes Twice

That is a damn sight better than I expected. An awful lot of that was in teeth-pulling low-output slogs, but there were an awful lot of slogs, so it does add up.

(May's numbers will not look this good. I have Stalled, and I am not doing well at getting started again. I was hoping a rest would help, and then I was hoping to find a way to recharge the well & that that would help. I'm still hoping.)

On the business side, 1 short story submission, and no queries. I need to get back in the saddle on that.

There should be more here, but I don't even feel inspired to write a journal post. Words, where art thou?

March Word Count

Monday, April 12th, 2021 11:02 pm
lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
How is it the middle of April already? When did this happen? (Do not even ask about my taxes.)

So, March's stats, better late than never.

old-mission stories: 609
other original short fiction: 3225
Lightning Strikes Twice = 4852

Total new words in March: 8686

Hot damn! That's way better than I thought I was doing. Which makes me feel a whole lot better about the state of the writing, which is just the pick-me-up I needed right now.

(The "old" mission story is actually a new one, my characters during the pandemic. Not sure how publishable that'll ever be, but I like it, so it counts. The shorts include the rest of "Going Home" and all of "Tooth of the Matter".)

On the business side, 1 short story submitted and 2 queries sent. Which is not wonderful, but... well, there is no but. Just gotta sit down and do it, however discouraging it is.

Still, 8686 words! That's awesome. More of that, April.

lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
6. What character do you have the most fun writing?

It doesn't get much better than Aubrey DeAugustine. Snarky, sneaky, always with a ready line in elegant bullshit and an exquisite nose for trouble, Aubrey is as much an ornament to any scene as he himself would modestly admit to being to any social occasion. He is deeply competent at all the things a spy should be competent at, and has an array of little smiles and shrugs that can convey anything from reassurance for an inexperienced partner to impending dismemberment or worse to an adversary. He can be dapper in the midst of a bar fight, but can morph into casual, sleazy, or highly-dubious when the situation calls for it. Come to think of it, he's dapper in those situations, too; Aubrey is dapper by both default and design.

He's been at this business long enough to know a great many people and places, which is wonderfully useful for a writer wanting to slip a little exposition into the dialogue. He's also been at this long enough to tend to withhold information by spinal reflex, which is wonderfully useful for a writer who doesn't want to give too much away just yet.

And he has marvelous depths. Beneath that dapper and dashing exterior, he feels certain things very deeply. He may express them, when forced to express them at all, through understatement and implication, but that only makes it more fun to winkle those admissions out of him.

lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
Thank goodness I've been better about writing than I have about tracking wordcounts here. Not that that's a high bar to get over. ;-) So, giant round-up post:

August = 1179 words, all on Green Ring

September 2020 = 777 words, all on Green Ring

October = 173 words, on various shorts (and incl. Street Magic, which is getting lumped in with the short stories for now)

November = 3910 words, all on Lightning Strikes Twice

December = 6738 words, all on Lightning Strikes Twice

January 2021 = 5970 words, all on Lightning Strikes Twice

February = 1408 words on various shorts (incl. the novel version of the "creepy fae thing" as well as the short-story version)
February = 6063 words on Lightning Strikes Twice
February total = 7471 words!

Things are definitely looking up on the word production front!

I'm not going to go back and try to total up all the short story submissions and novel queries for the past six months. There have been some of both, though not as many of either as there should have been. Querying in particular is being held up by Absolute Write being down, although I do have other resources. As well as other reasons, like epic procrastination. ;-) However: onward!

Upcoming goals are the usual: Keep cranking out the word counts, get stories out and queries sent. And maybe remember to do this next month!

lizvogel: What is this work of which you speak? (Cat on briefcase.) (Work)
Oh, this sounds fun. 25 days of writing. Usually when I look at memes like this I don't really relate to a large chunk of the questions, but in this case I think I have something to say on all of them. Of course, this is me, so I'm finding out about the thing when it's halfway through (though apparently it wasn't originally an X-days thing?), and let's be real, I'm not going to do it consistently one per day anyway. But I think I will plink through the whole list, if not necessarily in order.

So, on to 1. Tell us about your current project(s) – what’s it about, how’s progress, what do you love most about it?

The current project is to finish Lightning Strikes Twice, which is the sequel to ...And the Kitchen Sink. It's lighthearted space opera with spies. This one does not have the cyborg platypus of AtKS, but so far it does have flying ferrets, a whole lot of architecture references, and of course endless alliteration. And the occasional ninja, because why not?

Progress has been... it's hard to say, actually. Teeth-pullingly slow, subjectively; the first 50K was my NaNo 2018 project, so of course anything's going to look pokey compared to that, plus booting it back up after that long was hard. But really I've been plugging along pretty steadily. I keep running into hard scenes; the latest is one where a normally-voluble character has to talk about something he really doesn't want to discuss, and it's been... interesting, dragging words out of him against his will.

What I love most is Aubrey DeAugustine being snarky, of course. And Kearsley learning the ropes and becoming more independent is being a lot of fun. Also, I wrote a huge sprawling scene with lots of small talk (my weak spot) and it didn't suck! That was cool.

I'm also working on a short story affectionately known as "the creepy fae thing". It's an idea for a novel that's been kicking around half-formed in my head for a while now, but I recently realized that I could excerpt the beginning as a stand-alone short and it should work just fine, so I'm writing that. It's really dark, possibly the darkest thing I've ever written, so I'm taking it in small doses, but it actually makes a good counterpoint to LST. I'm having fun simultaneously leaning into the horribleness and keeping the description minimalist, so the reader's imagination can take it to far worse places than the text ever could. ;-)



All the days:
1. Tell us about your current project(s) – what’s it about, how’s progress, what do you love most about it?
2. Tell us about what you’re most looking forward to writing – in your current project, or a future project.
3. What is that one scene that you’ve always wanted to write but can’t be arsed to write all of the set-up and context it would need? (consider this permission to write it and/or share it anyway).
4. Share a sentence or paragraph from your writing that you’re really proud of (explain why, if you like).
5. What character that you're writing do you most identify with?
6. What character do you have the most fun writing?
7. What do you think are the characteristics of your personal writing style? Would others agree?
8. Is what you like to write the same as what you like to read?
9. Are you more of a drabble or a longfic kind of writer? Pantser or plotter? Do you wish you were the other? Both, or neither?
10. How would you describe your writing process?
11. What do you envy in other writers?
12. Do you want your writing to be famous?
13. Do you share your writing online? (Drop a link!) Do you have projects you’ve kept just for yourself?
14. At what point in writing do you come up with a title?
15. Which is harder: titles or summaries (or tags)?
16. Tried anything new with your writing lately? (style, POV, genre, fandom?)
17. Do you think readers perceive your work - or you - differently to you? What do you think would surprise your readers about your writing or your motivations?
18. Do any of your stories have alternative versions? (plotlines that you abandoned, AUs of your own work, different characterisations?) Tell us about them.
19. Is there something you always find yourself repeating in your writing? (favourite verb, something you describe 'too often', trope you can’t get enough of?)
20. Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?)
21. What other medium do you think your story would work well as? (film, webcomic, animated series?)
22. Do you reread your old works? How do you feel about them?
23. What’s the story idea you’ve had in your head for the longest?
24. Would you say your writing has changed over time?
25. What part of writing is the most fun?
lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
I never did post my NaNo results, did I?

Well, my modified, revised, and thoroughly laid-back goal was simply to get Lightning Strikes Twice moving again. I did the first 50K of it in NaNo 2018, dropped it like a hot rock on November 30th, and hadn't touched it since. (I started 2018's NaNo already burned out, which was not the brightest move ever.) So getting it booted up again in my brain was an undertaking in its own right.

And... success! Of a sort, anyway. I re-read the prequel, re-read the book-so-far, solved a couple of minor obstacles, and wrote 3910 new words. Not a lot by NaNo standards, but enough to count as revivifying the beast. That got me up to the next major scene break -- at which point it was a bit like having to start the book all over again, but that's been December's challenge.

So, I call win. Yay!

NaNoWriMo 2020

Saturday, October 31st, 2020 08:57 pm
lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
I seem to have committed myself to doing NaNo this year. Not the full 50,000, however. I need to finish Lightning Strikes Twice, which got its 50K in 2018 and I haven't touched it -- or, let's be honest, much else writing-wise -- since. But LST doesn't need another 50K to be finished (I hope), even if that were a reasonable target for somebody as out of practice as I am.

I was thinking 20,000 words would be a reasonable goal for the month. Not enough to finish the book, but a substantial chunk along the way.

Before I can start writing, however, I still need to finish re-reading ...And The Kitchen Sink to refresh it all in my head, and then re-read the 50,000 words extant of Lightning. That's something like 80,000 words remaining to be read in the next few hours, and, well, I'm a fast reader, but not that fast. I could try to crash through it as fast as possible, foregoing sleep, but that's not going to leave me in any state to do good work. So I'm going to chill. I'll get the re-reading done, and when it's done I'll start writing, and we'll just see where we go from there.

lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
Happy New Year! (How on earth did that happen?)

I ended up with a surprise week off from the Day Job, I think because my manager forgot to put me on the schedule. So I decided I would spend it querying Highway of Mirrors. Good plan. I also told myself, way back at the end of November, that I could take a month off from Lightning Strikes Twice, and dive back into it starting in January. Also a good plan.

I somehow failed to notice that these two chunks of calendar overlapped significantly.

I've decided to roll ahead with the querying. I'm making good progress, and it is something that I have so much difficulty getting myself to do, it would be silly to put a halt on it. So I can have at least one week of January for that, and at least three weeks for LST. (We'll see what happens to those few unassigned days in between.)


In other news, I reclaimed the old laptop that I had lent to the housemate, who never got around to using it. I'd frankly forgotten all about that machine. The floppy drive in it does not work, but the USB ports do -- and I've got a USB floppy drive. It's awkward and inconvenient using the external drive, but it does technically function as a designated writing laptop that I can keep by my bedside and haul around the house. I very definitely still need to acquire a new-to-me old laptop and/or get one of the dead ones repaired; the friend I got this machine from is not known for taking good care of his stuff, and the poor thing has really been through the wars. It's missing a couple of keys, and I had to wrap electrical tape around the exposed wires on the power cord; it's also had a couple of glitches that make me suspect a hard drive failure is in its future. But, for a temporary emergency stand-in, it's a darned sight better than nothing.

Of course, now that I finally have a writing laptop again, the urge to mess around with stories at night, which has been nagging at me like a junkie craving a fix, has almost entirely subsided. *headdesk* But I am at least sleeping better knowing I can have my late-night writing dose.

7-7-7 Meme

Thursday, December 13th, 2018 10:19 am
lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
(As picked up from the time-sink that is the Network page) The rules are as follows: Go to page 7 of your WIP, go to the seventh line, and share seven sentences. Then tag 7 people who you know will see this to do the same.

So I pulled up Lightning Strikes Twice and went to page 7, and of course the seventh line is a bracket-note about something I have to go back and fill in later. ;-P

However, skipping down to the seventh line of actual text nets this:
"DeAugustine, are you listening?" the sphere inquired with surprising acerbity for such a small device.

"Hanging on every syllable, I assure you," Aubrey replied, his arm still at full extension to keep the tiny digital voice as far from their ears as possible.

"I'm not doing this for my health, you know. For yours, if anything. You might at least try to pay attention."

"I am riveted with fascination."

The device emitted something very like a snort of disbelief, and Kearsley pictured some poor analyst, trapped in a windowless office waiting for operatives to pick up their devices so he or she could recite briefings that they weren't going to attend to anyway.

I do love Aubrey. And Kearsley, for that matter. And this whole universe, really.


If you're reading this, you may consider yourself tagged.

lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
I had two stated goals for this NaNoWriMo when I started: (1) Teach myself to do this level of output while still working the day job, carrying on with house projects in progress, etc. -- in short, without putting the entire rest of life on hold. (2) Remind myself that writing can be fun.

How'd I do? Okay.



Doing NaNo around working for a living, especially the day job, was as annoying as I expected it to be.

Interestingly, statistically, work days weren't significantly worse for word-count than non-work days. They were more frustrating, because either I was inspired and had to go help people find hardware instead of writing, or I was tired from work and had to slog out words anyway, but apparently I generally managed either way. My very best days weren't work days, but some work days were quite good (even some over 2K), and while some really low days were work days, others weren't.


I had this note for a journal post hand-written in the pocket notebook. I think it's referring to the 28th, based on details in it and the hand-written novel text it was next to, but I can't be sure enough to back-date it as its own post:
Yesterday was a work day. The writing session before work was good, and the one immediately after was pretty good, but the truth is I come home from the day job with a proto-headache more often than not, and writing through a headache is just not a recipe for my best productivity. By the time I got to the third session of the day, I was tired and cranky about being awake and just not feeling it.

If I've got the day right, the statistics do not entirely bear this out: Writing speed per session was 597 wph, 434 wph, and 367 wph respectively. So clearly return on investment was decreasing; on the other hand, even 367 wph is pretty good by my standards. On the third hand, time-on-task was getting longer as words-done was getting smaller, which is never a good sign.



As for fun, the early days were a slog starting at about day 2, but there were some high points. And toward the end, when I finally seemed to get my mojo going, I was quite enjoying myself. I had a lot of fun writing the banter with Schlee, and Kearsley being brilliant at the Customs desk was an absolute delight. So despite spending half the month behind and quite a lot of it bulling through by sheer force of refusing to fail, I did meet this goal in the end. And I'm quite looking forward to writing the rest.



Other things I learned, and miscellaneous bits worthy of note:


Mostly I've learned: Do not go into something like this already exhausted and burned out. Which, duh, and I already knew that, but I didn't appreciate just how bad an idea it was going to be.


Next time, get shinier stars. These are the ones I decided weren't flashy enough last time, and indeed, they aren't proving to be the incentive that the more indulgent, holographic ones I ended up using last time were.


Something to remember for next time: For me, NaNo is primarily an exercise in second wind. I can sit down and write 350-500 words in a session, and that's fine. And I can stop when I'm tired, and under normal circumstances that's okay. But I should never lose sight of the fact that I can, if I push through that tired, usually get another good batch of words done. I don't have to do it that way all the time, but perhaps I should do it once in a while, just to remind myself that I can.


Accomplishing something made for a much more effective break than playing computer games or screwing around on the internet. Doubly so if the accomplishing involved physical activity (such as shoveling snow). But the accomplishing seemed to be the biggest key, rather than the activity.


Just for laughs, I did try one "Cauldron of Doom" word sprint at the last write-in I went to (after I'd hit 50,000). I went into it fully expecting not to hit the number, and I didn't, though I did come closer than I thought I would (target was 425, I did 368). However, I could tell even as I was doing it that the quality wasn't there. One paragraph in particular is repetitive, drivelling... well, drivel. I might be able to get away with it in that particular instance as a bit of word play, but that's for a paragraph. A whole book of that would be unsupportable; never mind editing, I'd have to burn it and start over.


Catching up involved a lot of hard work and stubborn refusal to fail. It also involved the day job finally getting my hours back down to where they should be. I don't know how I would have done it without that extra day.


Blasting selected music really loudly on the good headphones got me going a number of times when nothing else would. Mind you, there were also times I needed silence to work at all.



Statistical stuff:

For days when I wrote at least quota (1667+), average time-on-task was 4.23 hours.
For days when I wrote at least goal (2000+), average time-on-task was 4.46 hours.

For the days when I didn't make quota, the average was 2.39 hours, but it doesn't correlate beyond that; for example, on the 15th I wrote 273 words in 2.75 hours, but the next day I wrote nearly four times as much (1003 words) in almost the same amount of time (3 hours).

The 15th was the worst day I wrote at all; the second-worst day, it took me 2.5 hours to produce 309 words, which is a sure sign it's time to give it up as a bad job if anything is. Some days, it just ain't happening, and more time doesn't change that.

Words-per-hour doesn't really tell me anything useful; many of the really stellar speeds are for very short bursts (20 minutes or so). Oddly enough, so is the worst wph. The other really dismal speeds correlate to very low-output days, which just reinforces that sitting there staring at the screen when words ain't happening is not only unproductive, but a waste of time that could be spent recharging.



I'll do more Nanalysis if I think of anything. Oh, and one more thing I learned; much of the above is notes I took during the month. I've expanded on several of them, but getting the gist down as I realize things makes for a much better process overview.

lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
I am caught up!!!

3063 words today, including one run of 1526 in one sitting. Which is huge for me. And that means 5511 words in the past two days, which is more than my standard quota for a month. Hot damn!

The flying ferrets helped, but it was really the banter between our heroes and the foreign agent that did it. I tend to think banter is horribly difficult for me, and often it is, but when it's going well, it's terrific.

And, I'm actually enjoying the writing, today and yesterday. After that 1526, I had to rush my shower, because I kept getting more words and had to get to the keyboard before I forgot them. That feeling when the words keep coming and coming and you can't get out of their way fast enough, y'know?

(I am above par for the first time since the 13th. That almost feels as good as winning. Yeah!)

I almost don't want to stop. I can keep going for another 5000 words (4400, really) and finish tonight, can't I? (And the answer is No, no I can't. My brain will explode. But I love that I'm tempted.)
lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
To be fair, my earlier remark should have been that I'd rather go shovel than spend the morning writing. The book itself still interests me; it's not coming out quite the way I'd intended, but I don't think it's without merit. I just wish I could let it sit and percolate for a few days. It'd probably be better for the book; it'd definitely be better for me.


Getting something done seemed to make for a more effective break than reading or screwing around on the internet. So I wrote 500+ words, then cleaned all my boots and shoveled the little deck, wrote another 500+ words, then shoveled bits of the driveway that needed it (the predicted snowpocalypse turned into a lot of wet slushy stuff already on its way to melting), wrote 800+ words (!), then dealt with some laundry and took a shower, and I just sat down and did another 500+ words. My breaks were inevitably longer than I'd intended, but that happens when I'm not getting anything accomplished, too.

I may try to have another push before bed tonight, but even if I don't, I'm about half as far behind as I was this morning. And I like a lot of what I wrote today, too. Still behind, but it's getting there.
lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
I would rather go shovel the driveway than work on this book.

lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
Something I should have given more weight to, when deciding whether to do NaNo this year, was the fact that I had to abandon my usual monthly word-count metric during FFG because the pressure of having to hit that many words was near-paralyzing me (in much the same way other people say perfectionism paralyzes them). I'm getting over it now, but I think a lot of the mid-month dive in productivity can be attributed to that.

I'm still working to catch up from Day 13's no-writing, and the surrounding days' less-than-quota output. The numbers are at least going in the right direction.

I went to a write-in Thursday, day 15. It was a good move. While I don't do the "word sprints" or other games/challenges -- that sort of thing just doesn't work for me -- it is easier to focus when you're surrounded by a bunch of other people typing industriously away. It also makes it easier to resist the temptation to bring up Minesweeper. ;-) I got a decent chunk of words done at the write-in, and I've been hitting quota or better since.

One of the difficulties has been that I leave that last chunk of writing for, well, last, and then somehow it's midnight and I still haven't done it. Saturday I determined to do better, and put in several sessions earlier in the day, so that come evening I only needed another 250 words. And then housework ran late, and dinner, and an extra ep of TV because the cats were too cute to move, and suddenly it was one in the morning and I still hadn't sat down for that final session. Argh.

Sunday I went to another write-in, largely because I needed to get out of the physical environment that Saturday's scheduling debacle happened in. Wasn't sure that was really where I wanted to go, but I didn't have a better idea. It took me quite a while to get going, but once I did it was a good move again. Got most of my day's words done there -- and at least I finished the final at-home session at midnight! It's an improvement.

Of the days I've done quota or better so far, there's only been one where it took me less than four hours.

Aside from word count, I'm not happy with how the book is going. I don't think it's going to have the charm of the first one, and I think it's going to need a lot more revising. The first one was full of sesquipidalian vocabulary and jokes about collective nouns; this one's got the vocabularic variety of a skipping record. And for all it made sense at the time, it turns out competent ninjas aren't nearly as entertaining as incompetent ones. And I got distracted and didn't end up having the characters set fire to the thing. I'm hoping the flying ferrets will make up for some of it.

As for today, I'm less than 200 shy of quota as I type this, and I would rather stick my cerebrum on a grinding wheel than keep writing, even though I think what I've done today is reasonably decent. I'm going to take a short break, and then get back to the writing before this turns into another 200-at-2-am debacle.
lizvogel: Banana: Good.  Crossed streams: Bad. (Good Bad)
I meant to get the novel done before the beginning of May. Then before MediaWest. Then before the end of May. Then June 21?, which would have been exactly the four-year mark since I started. Then the end of June. Then the end of July. At least I made it before BistoCon, which was deadline... six? seven? of the current crop. There were whooshing noises for some time before that, too.

In the grand scheme of things, it doesn't matter when I got it done. I'm not under contract, or even (yet) in any professional relationship with expectations about productivity. And for my personal writerly development, the difference between four years and four years and two months is not that big a deal -- though I am deeply frustrated by not being able to hit that target.

However, that original May deadline wasn't just to fit it in around convention season; it was also about what would happen after. A nice, leisurely read-through, followed by edits as necessary and then setting the book aside with a sense of finality (for now). A couple of months off, in which I could mess about with short stories, get back to that just-for-fun project I've been missing, maybe play with some fanfic. Do some querying and submitting, that's been left by the wayside in the push to Finish The Book. Recharge the batteries, relax the writing muscles. Not no-writing, because my brain gets troublesome if I don't write semi-regularly, but low-pressure, small-stretches kinds of stuff, so I can remember that this writing thing is supposed to be fun.

And then, after several months of recuperation, think seriously about doing NaNo, and gear up for that.

Instead, I find myself with less than half the time I originally envisioned -- and the resulting drive to hurry-up-and-relax-right-now. The just-for-fun project has about 15-20K left to go; that's 3-4 months for me when I'm in good form. There's the story I promised someone at MediaWest. There's the final due-diligence push on querying Highway of Mirrors, which has also blown past more deadlines than I can count. A dozen or so short stories that should all be out there right now, and kept out there til they sell. The Doctor Who fanfic that I figured out how to un-stick a while back, and that Star Trek series I'm not writing, and maybe that last Atlantis story, and the fanfic all counts just as much because I promised myself I would relax, dammit!

And frankly, Falling From Ground was enough of a death-march that I'm a tad leery of grabbing hold of the hot stove element of another novel just yet. Even if I did nothing but doodle for the next two months, what kind of state would I be in, writing-wise, come November 1st? The NaNo project (should I choose to accept it) would be the sequel to ...And the Kitchen Sink, my NaNo win from a few years back. It should be fun, fast-paced, a bit wacky but sensible in a surreal way. I'm calling it Lightning Strikes Twice, and there's an implicit challenge in that title. Am I up to that challenge? Am I going to be up to that challenge, and can I possibly pack enough relaxation into the remaining time to make myself so?

Yeah. Hurry up and relax. 'Cause that's gonna work.

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